About
Giana Pilar González (b. Republic of Panamá) is an interdisciplinary artist working across performance, photography, drawing, and digital media. Her practice explores how cultural systems shape identity—searching for the underlying "code" through movement and the mapping of personal geographies. Her work has been exhibited at Eyebeam, MIT, and Milan Design Week, and featured in WiredUK, Hurriyet, and Fashion Practice.
As a designer, Giana brings 19+ years of experience creating meaningful digital experiences for Fortune 500 brands. Her career began at R/GA and MRY-LBi, working with clients including Benjamin Moore, Macy's, Johnson & Johnson, and Coca-Cola. In 2013, she founded TEOSANTOS, a design consultancy focused on strategy, UX/UI, and cross-cultural product development. Born and raised in Panama, she bridges US and Latin American markets with bilingual fluency and deep cultural intelligence, helping teams navigate complexity with clarity and creativity.
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2019
“Hacking Couture: PRAKA” Pop-up Exhibition, Panama Fashion Week, Panama City, Panama
2017 - 2018
"Agua de Carnaval”, Casasola Non-Conventional Art + Design Space, Panama City, Panama -
2024
Exquisite River, Ely Center for Contemporary Art, New Haven, CT2023
SOMOS / We Are, Long Island Museum, Stony Brook, US —2024 Distinction Award from the Museum Association of New YorkLoving My Mirrors / Amando a Mis Espejos, Inside / Out, Atlantic Center for the Arts, New Smyrna, FL
2021
Dissolving Borders II, New York City, USThink About Water, Online Exhibition
2019
Design Collisions, Milan Design Week, Cascina Cuccagna, Milan, Italy2017
Hacking Arts, Media Lab, MIT, Boston, MA
2016
Hacking Arts, Media Lab, MIT, Boston, MA
2010
Re-Group: Beyond Models of Participation, Eyebeam Art + Technology Center, New York, NY
WW5: Ah Motherland, Bronx Art Space, New York, NY
2008
Pop-Purri, Diablo Rosso Gallery, Panama City, Panama
Threadless, Jersey City Museum, Jersey City, NJ
2007
Hackers & Haute Couture Heretics, Garanti Gallery. Istanbul, Turkey
DIY Chicago, A+D Gallery, Columbia College, Chicago, IL
2005
Algorithmic Composition Showcase, Diapason Sound Gallery, New York, NY
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2013 - Present.
Teosantos, User Experience and Strategy Consultant
2010 - 2013
LBi NY (Digitas), Lead User Experience Architect2008 - 2010
R/GA NY, Interaction Designer2006 - 2008
Freelance, Interaction Designer2003 - 2004
Division One Architects, Junior Architect -
2023
Atlantic Center for the Arts Residency Program curated by Larry Ossei-Mensah and Helina Metaferia, New Smyrna, FL2019
Atlantic Center for the Arts Residency Program curated by Deborah Hay, New Smyrna, FLIdea Furnace Residency, Pittsburgh Glass Center, Pittsburgh, PA
2017
Associate Artist, Atlantic Center for the Arts Residency Program, New Smyrna, FL2016
Best Documentary, Panama Fashion Film Festival, Panama2013
Bronze Metal on Digital/Mobile Techniques, Clio AwardsOfficial Honoree in the Social Media Campaigns and Food & Beverage, Webby Awards
2004-2006
ITP Fellowship and Tisch Gala Scholarship, New York University, New York, NY -
2024
"Ríos", Ely Center of Contemporary Art, New Haven, CT2023
"Mirror Dancing PTY" at ESTAMOS Symposium, Long Island Museum, Stony Brook, NY
The performance was a key element of the public programming. The museum earned an award from the Museum Association of New York for its exhibition programming.*Performer as part "A Mother's River of Tears" by María Magdalena Campos-Pons, Brooklyn Museum, Brooklyn, NY
Loving My Mirrors / Amando a Mis Espejos, Inside / Out, Atlantic Center for the Arts, New Smyrna, FL
2022
Panel Discussion “Visions for Representation”, Sustainability Conference, FIT, New York, NY2021
Map Your Code: Music, Places and Things, Dissolving Borders Exhibition, New York, NY
2020
Everybody: Map Your Code, Online, Nobody’s Fashion Week, Flux Factory, New York, NY
2019
PRAKA performance, Touch the Sky, The New School, New York, NYHacking Couture Workshop, Milan Design Week, Cascina Cuccagna, Milan, Italy
FATE’s 17th Biennial Conference Foundations in Flux, Columbus, OH
2017
Guest Lecturer, MA Fashion Studies, Parsons School of Design – The New School, New York, NY
2016
Workshop Facilitator, Holiday Hacking Workshop, Eyebeam Art + Technology Center, New York, NYGuest Lecturer, School of Design Strategies, Parsons School of Design – The New School, New York, NY
Guest Critic (Thesis), ITP New York University, New York, NY
2015
Hacking Couture Workshop, Hacking Heights Fashion, Jersey City, NJ
2014
Hacking Couture Workshop, Hacking Heights Fashion, Jersey City, NJ
2013
Guest Critic, MFA Social Innovation, School of Visual Arts, New York, NYGuest Lecturer, University of the Arts, Philadelphia, PA
Wearable Technology Showcase, HUGE INC, New York, NY
Hacking Couture Workshop, Dobbin Project Space, Brooklyn, NY
Hacking Couture Workshop, Allied Media Conference, Detroit, MI
2010
Hacking Couture Workshop, Fashion Night Out, Textile Arts Center, Brooklyn, NY2008
Threadless Fashion Show, Jersey City Museum, Jersey City, NJ
2007
Swap-o-Rama-Rama Panama, Diablo Rosso Gallery, Panama City, PanamaArtist Lecture, Viral Media Symposium, Columbia College, Chicago, IL
Hacking Couture Workshop, Columbia College, Chicago, IL
Unravel Fashion Show, Siggraph Conference, San Diego, CA
Hacking Couture Workshop, Maker Faire, San Mateo, CA
2006
Holiday Hacking Workshop, Eyebeam Art + Technology Center, New York, NYArtist Lecture, Electronic Etherealism & the Digital Perfume, Pratt Institute, Brooklyn, NY
2005
Performance, NIME (New Interfaces for Musical Expression), Tonic, New York, NY -
2015
Gonzalez, G. “Fashion Codes Hacked, Indexed and Shared,” Journal of Design Strategies, Vol. 7 (2015). Parsons School of Design – The New School, New York, NY.
2014Ryan, Susan Elizabeth. Garments of Paradise: Wearable Discourse in the Digital Age. Cambridge, MA: MIT Press. 2014.
2013Mustonen, Natalia. Fashion Openness: Applying an Open Source Philosophy to the Paradigm of Fashion. Masters Thesis in Fashion and Clothing Design, School of Arts, Design and Architecture, Aalto University, Finland, 2013.
2012Thorpe, Anne. Architecture & Design versus Consumerism: How Design Activism Confronts Growth. Abingdon, UK: Routledge, 2012.
2011Ruiz-Schmidt, Oscar. Refashioning a System: How Open Source has Influenced Fashion Design. Masters Thesis in Fashion Design, Weissensee School of Art, Berlin Germany, 2011
2009Von Busch, Otto. “Engaged Design and the Practice of Fashion Hacking: The examples of Giana Gonzalez and Dale Sko,” Fashion Practice: The Journal of Design, Berg, London, UK. 2009.
2008Von Busch, Otto. Fashion-able: Hacktivism and Engaged Fashion Design. Doctor in Philosophy Thesis in Design, School of Design and Crafts (HDK), Gothenburg, Sweden, 2008.
2006Scaturro, Sarah. “Open Source Fashion: for the masses, by the masses,” Fashion Projects Blog and Eyebeam Art + Technology Center Blog, 2006.
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2006
Master of Professional Studies, Tisch School of the Arts, New York University, New York, NY
2003
Bachelor of Science in Architecture, Catholic University, Washington, DC